Take a look at this tattoo. What has the artist done to make you move through this composition? The composition is this woman's back. What patterns do you see? How is this tattoo unified? You will need to summarize your answers to the questions I have asked in 4 - 6 lines.
This is due Friday, March 29.
6 comments:
the movement in this tattoo is the way the bolts and brackets are the patterns are the cut are and also the sercoler gears are to
making the tattoo look its not a tattoo. it makes me move down at it. it look like shes been cut open.
the movement is by the robat parts, and the patterns are by the coller bone and the parts, and it is unified by the parts of the body.
My eyes move through this tattoo with the vertebraes, my eye wants to follow, to see what the next vertebrea will look like. I see that in the slashes on the girls back there is a pattern of a small, then large, then small slash. I think this tattoo is unified because of the gears inside of the slashes. The gears seem to link to eachother holding it all together.
The movement is when you look at the top one and go down because it looks like the gears are moving. The patterns I see are the gears and the spine going down the tattoo. It is unified with color, the color that is mostly used are different colors of browns. Also it looks to be like the tattoo isn't a tattoo but the actual person inside.
the tattoo makes my eye move downward from this tattoo because it has a spine robot part going straight down the middle. the patters are how the parts in the back gets smaller and how inside the wheels are moving. it is unified by how the tattoo artist used the same colors inside and then around the opened part is red so it looks sore.
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